Today, we’ve launched digitalartsnation.ca, the website for Making Tomorrow Better: Taking Digital Action in the Performing Arts. This initiative received significant funding from the Canada Council for the Arts’ Digital Strategy Fund in spring of 2019. The nation-wide partnership led by the Atlantic Presenters Association includes the Manitoba Arts Network, BC Touring Council, Island Mountain Arts/Northern Exposure, Yukon Arts Centre / N3 and the Yellowknife Arts & Cultural Centre.
Of note: most of the participants in the face-to-face workshops live on the edges of the country. therefore we tailor content to suit the realities, including slower internet connectivity, of rural and remote communities across Canada. Because what works there, will work in urban centres, too.
These workshops are designed to help participants speak digital with confidence – that is, we will demystify and discuss the digital realm in plain English – and quickly become competent participants in arts sector conversations about leading digital tools, emerging digital innovations, and new digital business models.
Watch our upcoming workshops page and see where we are headed next!
Here is my interview from today with CBC North.
The report is available here:
Digitizing the Performing Arts: An Assessment of Opportunities, Issues and Challenges. http://capacoa.ca/en/services/research-and-development/digitizing-performing-arts La numérisation des arts du spectacle : Évaluation des possibilités, des enjeux et des défis. http://capacoa.ca/fr/services/recherche/numerisation-spectacle
The thrill of release! Yes, we published today our latest national report – already billed as landmark 😉 – titled Digitizing the Performing Arts: An Assessment of Opportunities, Issues and Challenges. It is also available in French: La numérisation des arts du spectacle : Évaluation des possibilités, des enjeux et des défis.
The question at the core of this work is who will be the digital intermediaries for the performing arts; and whether the presenting field can carve out a digital space that supports and benefits the entire performing arts eco-system. Doing so, I think, would require both a transfer and an expansion of the arts presenting expertise we see on the theatre platform to new digital platforms.
Presenters historically have been the dominant platform where performing arts and audiences connect. The theatre, stage or the festival site literally act as a platform. With that, this report seeks to begin to answer – or at least inform – big questions:
- Can live arts presenters re-invent distribution of performing arts at digital scale?
- How will Canadian artistic talent be nurtured and supported to grow viable careers and earn fair compensation in the digital realm?
- How can we, and should we, as a free, vibrant society assure a broad diversity of voices that reflect all of Canada is heard in digital spaces as well as live performance spaces?
- What is the future of live Canadian theatre, dance, music and other performing arts as digital technologies and capacities of data networks continue to advance?
This report by CAPACOA and Strategic Moves is the culmination of several years of conversations that emanated from our study on The Value of Presenting: A Study of Performing Arts Presentation in Canada. We are grateful for an initial round of financial support from Canadian Heritage to undertake this assessment.
On a personal note, I so appreciate and enjoy working with my colleague-client, Frédéric Julien, Director of Research and Development at CAPACOA. He is a tireless advocate in the arts; and equal parts smart, rigorous in his thinking and affable. Thank you, Frédéric, for your work and your collaboration!
On Monday March 13, CAPACOA and Strategic Moves will facilitate an interactive web conversation on Digital Innovation in Performing Arts Presentation. Everyone is welcome to participate (10 am Pacific/1 pm Eastern).
“The specific characteristics of the performing arts eco-system matter to whether they can fuel vibrant rural communities.” With this hypothesis in mind, I have been investigating whether there are common criteria or success indicators for building a sustainable, rural arts community. This exploratory research draws on existing literature about arts in rural communities as well as my work with organizations in rural communities from coast to coast to coast. In this initial phase of the study I focus on three communities: Haliburton County, Ontario; Temiskaming Shores, Ontario; and Wells, BC.
I will present findings from this new study for the first time at the SPARC Symposium taking place in Haliburton from October 27 to 30, 2016.
My work with SPARC goes back to 2014: I presented a keynote at the first SPARC Symposium in April 2014 on “Co-creating a Culture of Place in Rural Communities.” Then SPARC invited me to co-facilitate the SPARC Network Summit in November 2014. In my ongoing consulting practice I also work with small, rural and remote communities to help strengthen local capacities and capabilities.
A key goal of the SPARC 2016 Symposium (a project of the SPARC Network) is to create an environment where people can network: exchange ideas, find opportunities for collaboration, discuss solutions to tricky problems and identify big ideas. Attendees will have an opportunity to meet people engaged in the performing arts from rural communities throughout the province and across the country.
Whether your goals are professional development, learning strategies to attract new audiences, innovative approaches to sustainability, opportunities for information exchange, or developing creative methods for marketing campaigns or mentoring programs, it is SPARC’s belief that this year’s program will facilitate them: http://www.sparcperformingarts.com/sparc-symposium-2016/
See you in Haliburton next month!