Or in plain language: what are 4G speeds on LTE networks which started to come online in Canada in 2012 going to enable for theatre goers and dance attendees as well as presenters and producing companies?
During the first year of conducting Value of Presenting workshops there was little appetite to consider anything but the utility of social media in selling tickets. A breakthrough happened at the CAPACOA conference in January 2013 and now it feels like more and more presenters are beginning to see that web-based mobile technologies are going to create leaps in value for audiences and perhaps artists, producers and presenters. We presented at the Creative City Summit in Ottawa in May 2013 what we found out from Canadians and presenters about their use and attitudes to digital technologies and how Canadians’ views of what “live” means to them might be evolving.
At APAP|NYC we presented on this topic (PDF) this month as well and just last week the 2014 CAPAOCA conference featured a successful workshop with presenters on the opportunities, the values of both streamed and live experiences, facilitated by Frederic Julien from CAPACOA.
Watch this Youtube video by Alcatel-Lucent which was created in 2009 (!) to demonstrate their technology vision and emerging capabilities. The final minute shows a vision of a performing arts experience, begging for a presenting business model!
What will the successful strategic move look like?
Over the last few months I’ve worked with a team from Banfield-Seguin on the City of Cornwall Economic Development Department’s rebranding and business / resident attraction programs.
We gained a great deal of insight from the research process, where we talked to a lot of people in Cornwall about Cornwall, conducted a review of economic development success stories as well as a reputation assessment based on news media and web coverage. Based on the findings, we felt that the next strategic move would be to give the people in Cornwall even more of a voice in shaping the city’s new brand story. We thought the benefits of that approach would be considerable: we would shift perceptions about Cornwall, earn the residents’ trust in the work, make it real and foster buy in to the process and its outcomes.
In close collaboration with the team, we came up with the It’s My Cornwall contest. With great local media support, and direct, on-the-ground engagement, for instance through a day at the mall to solicit on-the-spot video and audio submissions, we got more than 130 entries in 19 days. Then we short-listed the 20 best entries, and promoted voting: 5,071 votes were cast.
The energy and enthusiam generated was palpable. We even got CTV Ottawa coverage for this initiative. All that bodes well for the next steps in rebranding and marketing Cornwall.