Category Archives: business

Respect for the customer

Arguably, the most important asset a marketing researcher has is … a respondent. The Canadian industry association, MRIA, has created a Respondents Bill of Rights – and much effort goes into best practice development for research methodologies that both respect the respondent and provide insight on which to base business decisions.

What is the most important asset an advertising agency or a marketer has? I think the answer is … a customer. Not inventory, not intellectual property, not real estate, not world-class leadership, not strategic location, not stock price, not exclusive market rights, not employees (even though in my mind employees are intrinsically linked to the customer).

Why is it then, that there is so little effort made to care for the customer or the potential customer? Over 90% of new products fail and fewer than 50% of advertisements are effective – so why are they getting created and who are they really speaking to?

Instead of relevant, timely, opt-in, creative marketing activities, much of marketing seems to still be trying to yell louder or funnier or whatever at a fairly large group of people.

If advertisers want to be relevant then they might reconsider their focus and place the customer at the heart of business and marketing considerations. There are successful CRM implementations and there are impressive case studies of brands connecting with customers by acting on the knowledge they collect about them and creating many meaningful, memorable interactions.

Because it’s the customer that matters. Not so much mind share, or intent to purchase.
Instead, try measuring the degree of relationship a customer has with the organization and the degree of relationship the organization has with the customer.

NAC Orchestra season launch filled with good news

Last night, the NAC Orchestra got its new concert season underway – it was amazing: sold out concert hall, a fabulous Beethoven Festival kick off program, great energy on stage and in the hall.

Over the last year, I’ve led the NAC Orchestra’s Audience Development project. Working with many talented people at the NAC from music to marketing to production to management, I’ve provided research, analysis, insight as well as strategy process facilitation. Together, we’ve been plotting the strategic moves needed to build larger audiences.

The following is an excerpt from a press release the NAC Orchestra issued a couple of days ago – the kind of news that truly endorses the analytics, strategy and facilitation work:

“Subscription revenues have surpassed the $2 million mark with more than 13,000 subscription series already sold – over 800 more subscriptions than this time last season. The Beethoven Festival, led by Pinchas Zukerman – which includes several concerts in the classical series – has proved extremely popular with six of the ten concerts sold out in advance of Opening Night on September 19. Continuing strong sales bode well for the entire Festival and the full season of classical music programs. The TD Canada Trust Family Adventures with NACO led by Principal Youth and Family Conductor Boris Brott has seen a rise of more than 46% in subscription ticket sales compared to this time last season, while the CTV Pops Series under the artistic direction of Principal Pops Conductor Jack Everly has increased by 10%.”

“Success is attributed to a comprehensive Audience Development Programme on which the NAC Orchestra embarked a year ago using extensive research into its audiences’ interests and priorities together with analysis of 20 years of sales trends. Initial improvements include implementing a wider range of (and in some cases lower) ticket prices throughout Southam Hall to offer greater access; increased flexibility in packaging the classical, pops and recital series – a move that has resulted in a 37% increase in “pick-your-own series” sales; and adding more access to artists through post-concert talkbacks and live NACOcasts (podcasts) to complement the traditional pre-show chats. Other initiatives include additional interactive web features, starting with the Beethoven Festival; more comprehensive house programmes, and special appreciation events for new and long-time subscribers. And this is just the beginning.”